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Real Estate Photography
Interiors and exteriors that make listings work harder.
Explore Real Estate PhotographyHomes, offices and finished projects across Kharadi — an area with more newly handed-over flats than almost anywhere else in Pune.
There is a window, and it closes
Kharadi is full of recent possession, which means a steady stream of homes that have just been completed and not yet lived in.
That fortnight between the snag list closing and the family properly moving in is when an interior photographs best — nothing on the counters, no shoes by the door, no charging cables. Designers know this; owners frequently do not, and by the time someone thinks about photographs the moment has passed.
For designers and contractors working here it is worth building the shoot into the handover rather than treating it as an afterthought. A project photographed at the right moment is a portfolio piece for years; the same project photographed three months later is a nice room with someone’s laundry in it.
The scheduling constraint is unchanged and unforgiving: each room has one good hour, decided by which way its windows face, and a flat with rooms facing different directions cannot be shot back to back. Send a floor plan and we will tell you whether it needs one visit or two.
Kharadi has an unusual concentration of recently handed-over property, which means a steady stream of homes finished and not yet lived in. That fortnight between the snag list closing and the family properly moving in is when an interior photographs best.
Designers know this; owners frequently do not, and by the time somebody thinks about photographs the moment has passed. Building the shoot into the handover rather than treating it as a follow-up is the whole difference.
The window after handover is the whole opportunity. Once a family moves in properly, the space stops reading as a finished project and starts reading as a home with belongings in it.
For designers, building the shoot into the project schedule rather than treating it as a follow-up task is the difference between having portfolio images and not. The timing is the constraint, not the budget.
Room orientation decides whether one visit is enough. Send a floor plan early and we will tell you honestly rather than discovering it halfway through the day.
Getting ready
The underlying styling is design work and should be yours. What helps on the day is the practical layer — cables hidden, protective film off, labels removed.
A few considered objects earn their place. Anything saying somebody lives here does not, however carefully arranged.
List the details you are proud of rather than assuming we will spot them. A joinery junction that took weeks is invisible to anyone who was not in the design meetings.
Planning it
Which way the rooms face, because that decides the order and sometimes whether one visit is enough. A floor plan answers it fastest.
Who the photographs are for — an owner wants the home as it is, a designer needs the work to read clearly.
And when the space will genuinely be finished, which is rarely the date first given.
Recent work
A selection of recent photographs. Each one is tagged with the kind of shoot it came from — tell us what you are planning and we will show you the work closest to it.
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How the session itself works is covered in full on the main interior photography page.
After the snag list closes and before it is properly lived in. That window is short and it is the single biggest factor in how the photographs look.
Whenever each room gets its best natural light, which is why we ask about window orientation before scheduling rather than picking a convenient hour.
As far as you can. We make final adjustments on the day, but the underlying styling is the design work and it should be yours.
Yes — workspaces, showrooms and hospitality alongside residential. The approach differs because the audience does.
Kharadi, Keshav Nagar, Mundhwa, Wadgaon Sheri, Viman Nagar and Kalyani Nagar are closest — and between them they account for most of the recent possession in east Pune. We cover projects across the rest of the city too.
Depends which way the rooms face. Send a floor plan and we will tell you before booking.
Yes, and they carry a portfolio more than wide shots do. Tell us which details matter.
Tell us who needs to use them at the outset. Simpler agreed before the shoot than after.
Yes, and they need their own time of day. Mention them when we plan the visit.
Yes, and for larger projects it is often better than waiting. Tell us the phases.
Yes, and they photograph well because they are styled and unoccupied.
Yes, if the before images still exist or can be taken in time. Tell us early.
Then what you changed is the subject. List it and those are the frames that get taken.
That makes no difference to the photography, though it is worth checking whether your agreement says anything about it.
Even a rough one tells us which way the rooms face, which decides whether this is one visit or two.